Blinding Brummie band with an
orchestral, ringing guitar sound. They're like a cross
between House Of Love and Joy Division, but, unlike a lot
of bands, any influences don't stop them having their own
distinctive sound. More fine songs like their UK top 10
hit, 'Munich', will see them go far.
Recommended album: The Back Room
by: Editors
Amazon.co.uk Review:
The debut album from Editors, The Back Room
confirms this young Birmingham quartet as torch-bearers
for a British rock legacy that harks back, via short
sojourns through the back catalogues of The Cure and Echo
and the Bunnymen, to Joy Division's peerless Unknown
Pleasures.
Combining the self-consciously grand, melodramatic vocals
of frontman Tom Smith with swirling, minor-key guitar
dynamics and claustrophobic, propulsive percussion, this
could just be the British riposte to Interpol's majestic Turn
On The Bright Lights. Mostly, this is down to Smiths
skill for twinning a superficially catchy chorus with
enigmatic, dark sentiments: "People are fragile
things, you should know by now/Be careful what you put
them though", he warns on the tense "Munich".
Perhaps in an understanding that you need more than
mystique to power a debut album, however, the rather more
mellow "Camera" sees Editors spread their wings
a little, inviting cascading synths and the distant trill
of sustained, effects-drenched guitar into the desolate
rock design. Later albums will hopefully see Editors
further build on their coldly ambitious sound, but for
now, The Back Room should satisfy those in
search of a bit of the dark stuff. --Louis Pattison

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