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Roger C. Carmel's blustering buffoon, Harcourt Fenton Mudd, is one of the most memorable creations from the Star Trek team - and he has a collection of pretty women in tow to impress Kirk. Great fun.

Amazon.com
This second volume of episodes on DVD from the original Star Trek includes the popular and sexy "Mudd's Women," which introduces the character of interstellar huckster and fugitive Harry Mudd (Roger C. Carmel, later to return in another classic episode, "I, Mudd"). The Enterprise beams aboard Harry and three beautiful and scantily clad women whom the con man is carrying as cargo. The transport damages the starship, forcing Captain Kirk (William Shatner) to take a detour to a mining world for a supply of dilithium crystals. Harry uses the women as bait to get the miners to help him flee from the authorities--but a revelation about his liberal use of an attraction-enhancement drug adds a twist to things. This clever and novel installment in the series grafted the unlikely element of a petty, colorful crook onto a science fiction show, an obvious forerunner of Deep Space Nine's inclusion of Quark among its own major characters.

Also in this volume is another outstanding episode, "The Enemy Within." Written by renowned novelist-screenwriter Richard Matheson (The Incredible Shrinking Man), the story proposes a transporter malfunction that results in Captain Kirk being divided into two versions of himself, one aggressive and brutal, the other sensitive and good. Essentially, the personality mix that makes Kirk an effective leader and balanced man is scattered like so many marbles, and the result is one captain running around mauling women and wreaking havoc while the other is frightened and indecisive. The production is very effectively done, and Shatner's performance is among his most interesting. --Tom Keogh

Description
"Mudd's Women" (Ep.4): Conman Harry Mudd brokers the marriage of three beautiful women to a mining colony to escape Kirk. "The Enemy Within" (Ep.5): A transporter malfunction splits Kirk into good and evil entities.

booksmusicfilmstv.com comments
Joan Collins has never looked lovelier, and her part in the 'The City on the Edge of Forever' is one of the most tragic portrayals in any Star Trek episode. Kirk has the stark choice of trying to save a woman he loves, or not interfering with history.

The Klingons made their first appearance in Star Trek in the episode, 'Errand of Mercy', and if you want to get any DVD from the original series this is the one to go for.

Amazon.com
Of all the Star Trek original series DVDs, Volume 14 will surely remain one of the most popular, for it offers the first-ever appearance of Klingons (in "Errand of Mercy") and the episode many fans consider the finest of all "classic Trek" adventures.

In "Errand of Mercy," war between the Klingons and the Federation is imminent, and it's up to Captain Kirk (William Shatner) to persuade the peaceful, agrarian planet Organia to sign on with the good guys before the Klingons overwhelm the place. Organia is in a strategically valuable position for whichever warring side claims it first, but the Organians don't seem to care. Kirk and First Officer Spock (Leonard Nimoy) make an awfully good pitch for Federation protection, but Organian leaders reject the offer as a tacit invitation to violence, taking little heed of a Klingon invasion and earning the enmity of both Kirk and Klingon Commander Kor (John Colicos). Essentially a Cold War satire disguised as a Federation-Klingon showdown, "Errand of Mercy" is the brainchild of producer-writer Gene L. Coon, who makes a wonderfully convincing case for the absurdity of each side's claim to moral superiority. Highlights include the Butch-and-Sundance banter between Kirk and Spock as they form a two-man Resistance movement. The episode is directed by John Newland, best known as the host of the supernatural television series, One Step Beyond.

"The City on the Edge of Forever" begins with a medical accident that leaves Dr. McCoy (DeForest Kelley) a paranoid madman. Leaping through a time portal to Earth's Great Depression of the 1930s, McCoy causes disastrous changes to history, forcing Kirk and Spock to follow him and undo whatever disruptive action he took centuries before. There, Kirk meets a kindly social worker, Edith Keeler (Joan Collins), with whom he falls in love before realizing her fate is the key to a restored future. A shattering drama, "City" brings out the best in the cast and production teams, looking like a feature film that found its way onto television. The background on this show is equally compelling and sometimes hysterically funny, beginning with a highly fanciful script by Harlan Ellison (including a scene with cast members riding a carousel that passes in and out the side of a mountain) that was either rewritten by series creator Gene Roddenberry or producer Gene L. Coon, depending on who's telling the story. Ironically, Ellison's original version won a Writer's Guild award while the revision captured a Hugo, but the real prize is the episode itself. --Tom Keogh --This text refers to the DVD edition.

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The first-ever Star Trek episode in the Star Trek series was 'The Man Trap', which was about a monster which metamorphoses into human form, attractive to members of the Enterprise.

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The lesson to learn from Tribbles, is get 'em neutered early. The lovable critters end up falling out from everywhere.

Amazon.com
Star Trek: The Next Generation's third year was an important development in syndicated television. After two shaky years, Paramount nonetheless decided the franchise still had plenty to do. Their confidence was bolstered by two significant factors. First, cast uncertainties were finally settled: Gates McFadden (Dr. Crusher) was back for good; Denise Crosby (Tasha Yar) regretted her first-year departure, and so contrived a return in the Emmy Award-winning "Yesterday's Enterprise"; and Whoopi Goldberg happily continued her actor's-scale contributions.

Second, after the show had survived the previous year's writers' strike, new writing blood revitalized both characters and ideas: Data experienced fatherhood ("The Offspring"), Worf's Klingon heritage kick-started a huge story arc ("Sins of the Father"), and Picard got a saucy vacation ("Captain's Holiday"). There were memorable star cameos: John de Lancie played more mischief alongside Corbin Bernsen ("Déjà Q"); Dwight Schultz played truant in a gentle warning about addiction ("Hollow Pursuits"); and pleasing fans even more was Mark Lenard as Spock's dad ("Sarek"). The strongest evidence that TNG would continue for some time was the trend-setting cliffhanger finale. Fans and critics still agree that "The Best of Both Worlds" (properly introducing the Borg) was one of the greatest tricks ever pulled on TV to make audiences come back for more. --Paul Tonks

Description
26 episodes on 7 discs: Evolution, The Ensigns of Command, The Survivors, Who Watches the Watchers, The Bonding, Booby Trap, The Enemy, The Price, The Vengeance Factor, The Defector, The Hunted, The High Ground, Deja Q, A Matter of Perspective, Yesterday's Enterprise, The Offspring, Sins of the Father, Allegiance, Captain's Holiday, Tin Man, Hollow Pursuits, The Most Toys, Sarek, Menage a Troi, Transfigurations, The Best of Both Worlds Part 1.

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Of all the spinoff TV incarnations of Star Trek, Deep Space Nine had the hardest job persuading an audience to watch. By all accounts, Gene Roddenberry had concerns about the idea before his death in 1991. It took two more years to develop, and when it finally aired in 1993 reasons for that concern were evident right away. The show was dark (literally), characters argued a lot, no one went anywhere, and the neighboring natives were hardly ever friendly. Yet for all that the show went against the grain of the Great Bird's original vision of the future, it undeniably caught the mood of the time, incorporating a complex political backdrop that mirrored our own.

In the casting, there was a clear intent to differentiate the show from its predecessors. Genre stalwarts Tony Todd and James Earl Jones were considered for Commander Sisko before Avery Brooks. The one letdown at the time was that Michelle Forbes did not carry Ensign Ro across from The Next Generation, but when the explosive Nana Visitor defiantly slapped her hand on a console in the pilot episode, viewers knew they were in for a different crew dynamic. In fact, the two-part pilot show ("The Emissary") is largely responsible for DS9's early success. Mysterious, spiritual, claustrophobic, funny, and feisty, it remains the most attention-grabbing series opener (apart from the original series') the franchise has had. The first year may have relied on a few too many familiar faces--like Picard, Q, and Lwaxana Troi--but these were more than outweighed by refreshingly detailed explorations of cultures old and new (Trill, Bajoran, Cardassian, Ferengi). As it turned out, Deep Space Nine was the boldest venture into Roddenberry's galaxy that had been (or ever would be) seen. --Paul Tonks

DVD features
The first season of Star Trek: Deep Space Nine follows the same pattern as the Next Generation sets: four episodes per disc, very good Dolby Digital 5.1 and 2.0 surround sound, English subtitles, and one disc of bonus features. Those features total about 75 minutes, including an 18-minute documentary "Deep Space Nine: A Bold Beginning," a profile of Kira Nerys, makeup and props spotlights, and other short segments, all incorporating a variety of cast and crew interviews from 1992 (the beginning of the series), 1999 (the end), and 2002. It's good stuff, but Star Trek television DVDs seem overdue for a commentary track on at least a few episodes.

The packaging is noticeably different. Instead of TNG's heavy cardboard box and foldout disc trays, DS9's trays are bound in a book format, which makes the discs much easier to get to; on the downside, the outer plastic sleeve seems more susceptible to wear and tear. Another benefit is that the set occupies almost 50% less shelf space than a season of TNG, meaning that from the Original Series to TNG to DS9, each series is getting more compact, which is a welcome development for Trekkers who had been considering renting a storage unit to house their collections. --David Horiuchi

Description
20 episodes on 6 discs: Emissary Part I, Emissary Part II, Past Prologue, A Man Alone, Babel, Captive Pursuit, Q-Less, Dax, The Passenger, Move Along Home, The Nagus, Vortex, Battle Lines, The Storyteller, Progress, If Wishes Were Horses, The Forsaken, Dramatis Personae, Duet, In the Hands of the Prophets.

Amazon.com
Star Trek: Voyager began life in 1995 with some truly fascinating prospects in its two-hour pilot episode. Opening in the 24th century, a setting contemporary with that of Star Trek: The Next Generation and Star Trek: Deep Space Nine and carrying over story elements from each of those series, "Caretaker" finds Starfleet Captain Kathryn Janeway (Kate Mulgrew) stepping into the middle of Federation troubles with the Maquis, an army of rebels violently resisting the interplanetary organization's treaty with the brutal Cardassians. In the process, both Voyager and the Maquis ship under surveillance are accidentally catapulted out of the galaxy's Alpha Quadrant (the familiar stomping grounds of Starfleet personnel) by a benign but dying being called the Caretaker. Voyager ends up in the unexplored Delta Quadrant, some 70,000 light years away.

So much seemed dramatically promising in this debut, especially the unwieldy alliance of Starfleet regulars and hostile Maquis, and the likelihood that a lifetime spent in isolation, trying to get home, would lead to the development of a self-contained society on the ship, yet Voyager never entirely made up its mind what it was supposed to be about. The curiously cheesy sets and fascinating, progressive management style of Janeway (half mommy, half taskmaster) were also new developments in Star Trek culture. As the 16-episode season continued, character backstories were developed in such episodes as "The Cloud" (arguably the best episode of the season), "Eye of the Needle" (underscoring Janeway and the crew's sadness), "State of Flux" (in which a search for a traitor reveals a past romance between Commander Chakotay, played by Robert Beltran, and sexy Bajoran engineer Seska, played by Martha Hackett), and "Jetrel" (which explores the character of Neelix, the Talaxian played by Ethan Phillips, during a parable about scientific ethics and moral responsibility).

Among other notable episodes, "Phage" strikes a nice balance among character development, story hook, and moral and emotional conflict when Neelix is literally robbed of his lungs by the Vidiians, a once-civilized people who are combating a deadly disease called the Phage by stealing organs. (The disease would return in "Faces," a fine showcase for Roxann Biggs-Dawson as Chief Engineer B'Elanna Torres.) "Emanations" stirred controversy among the series' producers and some fans for its philosophical look at death, and "Time and Again" is a unique time-travel story in which Janeway and Tom Paris (Robert Duncan McNeill) get caught in a subspace fracture that places them just hours before they know a planet is going to be destroyed. In "Prime Factors," latent tensions among Voyager personnel erupts into serious conflict, an issue revisited in the season finale, "Learning Curve." Despite a pat ending that resolves the Maquis conflict much too easily, the episode drives home the fact that Voyager and its crew are all alone, making the most of a difficult predicament. --Tom Keogh and Jeff Shannon

DVD features
There's a rare treat in the first-season set of Star Trek: Voyager: scenes from the pilot episode featuring the original captain Janeway, played by Genevieve Bujold. She was quickly replaced, and with the benefit of hindsight, it's easy to see that she lacked sufficient presence for the role. That segment is part of the set's 78 minutes of bonus features, including a spotlight on the eventual captain Janeway, Kate Mulgrew (mostly comprised of 1994 and 2003 interviews); a season overview; reflections by the cast; and spotlights on visual effects, location, Startrek.com, and the science behind the show (wormholes, time travel). The basic format of the discs is the same as The Next Generation and Deep Space Nine: full screen, 5.1 and 2.0 surround sound, English subtitles, and easy-to-find Easter eggs. The discs are housed in a nicely compact Digistak case like DS9, though with a bolder color scheme and a plastic outer casing that fits together awkwardly. But unlike any previous Star Trek DVD series, the opening credits of every episode come at the very end of track 1, making it easy to skip past them. --David Horiuchi