booksmusicfilmstv.com: Home Books Music Films TV TONY HANCOCK Tragic Tony
Hancock was possibly Britain's greatest-ever comic genius.
Magical, droll performances, ably supported by the likes of Sid
James and wonderful Ray Galton and Alan Simpson scripts. Tony Hancock was born in Hall Green, Birmingham, England, on May 12th, 1924, and by the time he was 35 was the most highly regarded comedy performer in Britain. The first big break for Hancock was on 'The Ralph Reader Gang Show', and he then appeared on the BBC on radio and TV - beginning with top radio shows 'Workers' Playtime' and 'Variety Bandbox'. Tony Hancock's first TV appearance was in 1950 in 'Flotsam's Follies'. The next year saw Tony Hancock in the hit radio series 'Educating Archie'. Also in 1951, he was a regular on light entertainment TV show, 'Kaleidoscope'. 1954 was to be the biggest year of Tony Hancock's career to date, however, as he was to be the star of 'Hancock's Half Hour' radio series, and then, in 1956, it also became a TV series, and continued on the radio as well. Tony Hancock also found time to star in 'The Tony Hancock Show' on the fledgling ITV television station in 1956 and 1957. By the end of the 1950s, Tony Hancock was a household name for his radio show, and was the first star on British TV to earn £1,000 a week. But, Tony Hancock had a self destructive personality, though perfection seeking drive. He fretted that his 'Hancock Half Hour' co-star, Sid James, and he were becoming like a double act, so he cut his ties, and did the same with writers Galton and Simpson. Starring in too few films for his talent, Tony Hancock was outstanding in the 1960 comedy, 'The Rebel', where he plays a hopeless artist, who exploits the talents of a friend for his own ends, and soon believes he's a genius. Sadly, Tony Hancock's lugubrious persona on screen was all too real, as he was the epitome of the sad clown, and took his own life in Sydney, Australia, on June 25th, 1968. Another comic genius, who had demons of his own, Spike Milligan, said of Hancock in 1989: "Very difficult man to get on with. He used to drink excessively. You felt sorry for him. He ended up on his own. I thought, he's got rid of everybody else, he's going to get rid of himself. And he did." In one of his suicide notes Tony Hancock said, "Things just seemed to go too wrong too many times". But, even that wasn't true, as most of it was of Tony's making. Like George Best, Jimi Hendrix, and countless others, Tony Hancock probably couldn't live up to the genius he had created.
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Hancock's
Half Hour, the Very Best Episodes: v. 1
- Paul Rance/booksmusicfilmstv.com.
Amazon.co.uk
Amazon.com
The Tony Hancock BBC Collection (8 Disc Box Set) ~ Tony Hancock, Sid James
Tony Hancock Collection: The Punch And Judy Man / The Rebel ~ Tony Hancock, Sylvia Syms
Hancock: The Best Of Hancock ~ Tony Hancock, Sid James
Hancock's Half Hour - Vol. 1 [1961] ~ Tony Hancock, Sid James
Hancock's Half Hour - Vol. 4 [1960] ~ Tony Hancock, Sid James
Hancock's Half Hour - Vol. 2 - The Best Of ~ Tony Hancock
Hancock's Half Hour - Vol. 3 ~ Tony Hancock, Sid James
Tony Hancock: The Rebel / The Punch And Judy Man [1960] ~ Tony Hancock, George Sanders
The Very Best of Hancock
Hancock: The Blood Donor / The Missing Page / Twelve Angry Men [1961] ~ Tony Hancock, Sid James
Hancock: The Radio Ham ~ Tony Hancock, Sid James
Hancock's Half Hour: The Train Journey /The
Photographer / Sid In Love / The Ladies Man
Hancock: The Poison Pen Letters
Hancock: The Very Best Of Hancock
Hancock:
The Economy Drive, The Emigrant and Two Other TV
Episodes
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Tony
Hancock: The Rebel / The Punch And Judy Man [1960]
Warner Home Video
DVD - April 14, 2003
The Rebel booksmusicfilmstv.com
review
The Rebel (1961) and The Punch and Judy
Man (1963) are the only two feature films
made expressly as star vehicles for the great
television comic Tony Hancock. The Rebel
is by far the more ambitious, being in colour
with Parisian locations, a large cast, and not
least a supporting role for international star
George Sanders. The opening rebellion against
office life surely inspired The Fall and Rise
of Reginald Perrin, while references follow
to Look Back in Anger (1958) and Billy
Wilder's The Apartment (1960) and Some
Like It Hot (1959). Hancock goes to Paris to
follow his artistic muse and as he rises through
the art world his naivety is taken for genius,
allowing for some very funny moments and spot-on
satire, which are just as relevant today as 40
years ago. Filmed in black-and-white in Bognor Regis, The
Punch and Judy Man is a more modest yet
evocative portrait of life in a small coastal
resort. Hancock is the titular beach entertainer
who is happy to live from day to day with the
affable companionship of John Le Mesurier and
Hugh Lloyd. The problem is he's burdened with a
socially ambitious wife, Sylvia Syms. Gentle
humour comes from Hancock's frustrations as a
proto-Basil Fawlty, and the film, packed with
familiar British character actors, has an old-fashioned
charm. It makes for an enjoyable supporting
feature to The Rebel, which is undoubtedly
a minor classic. On the DVD: Tony Hancock Double
Feature presents both films at 4:3 ratio. The
earlier film looks decidedly cropped in several
scenes, though the latter survives the
reformatting largely unscathed. The Rebel's
colour is faded and the image grainy, while The
Punch and Judy Man generally has a much
stronger black and white image. Even so, there is
some flickering and print damage. The music is
distorted in The Rebel but the mono sound
is fine during The Punch and Judy Man.
There are no extras. --Gary S Dalkin
In 'The Rebel' a bored city clerk has ambitions
of becoming an artist in France. 'The Punch And
Judy Man' tells the story of a melancholy man who
is trying to establish himself as an important
citizen in the seaside town where he works. When
his snobbish wife is taught a lesson at an
important social event it looks like he may just
get the new lease of life he's always dreamed of.